Launch HN: Mosaic (YC W25) – Agentic Video Editing

mosaic.so

105 points by adishj 10 hours ago

Hey HN! We’re Adish & Kyle from Mosaic (https://edit.mosaic.so, https://docs.mosaic.so/, https://mosaic.so). Mosaic lets you create and run your own multimodal video editing agents in a node-based canvas. It’s different from traditional video editing tools in two ways: (1) the user interface and (2) the visual intelligence built into our agent.

We were engineers at Tesla and one day had a fun idea to make a YouTube video of Cybertrucks in Palo Alto. We recorded hours of cars driving by, but got stuck on how to scrub through all this raw footage to edit it down to just the Cybertrucks.

We got frustrated trying to accomplish simple tasks in video editors like DaVinci Resolve and Adobe Premiere Pro. Features are hidden behind menus, buttons, and icons, and we often found ourselves Googling or asking ChatGPT how to do certain edits.

We thought that surely now, with multimodal AI, we could accelerate this process. Better yet, an AI video editor could automatically apply edits based off what it sees and hears in your video. The idea quickly snowballed and we began our side quest to build “Cursor for Video Editing”.

We put together a prototype and to our amazement, it was able to analyze and add text overlays based on what it saw or heard in the video. We could now automate our Cybertruck counting with a single chat prompt. That prototype is shown here: https://www.youtube.com/watch?v=GXr7q7Dl9X0.

After that, we spent a chunk of time building our own timeline-based video editor and making our multimodal copilot powerful and stateful. In natural language, we could now ask chat to help with AI asset generation, enhancements, searching through assets, and automatically applying edits like dynamic text overlays. That version is shown here: https://youtu.be/X4ki-QEwN40.

After talking to users though, we realized that the chat UX has limitations for video: (1) the longer the video, the more time it takes to process. Users have to wait too long between chat responses. (2) Users have set workflows that they use across video projects. Especially for people who have to produce a lot of content, the chat interface is a bottleneck rather than an accelerant.

That took us back to first principles to rethink what a “non-linear editor” really means. The result: a node-based canvas which enables you to create and run your own multimodal video editing agents. https://screen.studio/share/SP7DItVD.

Each tile in the canvas represents a video editing operation and is configurable, so you still have creative control. You can also branch and run edits in parallel, creating multiple variants from the same raw footage to A/B test different prompts, models, and workflows. In the canvas, you can see inline how your content evolves as the agent goes through each step.

The idea is that canvas will run your video editing on autopilot, and get you 80-90% of the way there. Then you can adjust and modify it in an inline timeline editor. We support exporting your timeline state out to traditional editing tools like DaVinci Resolve, Adobe Premiere Pro, and Final Cut Pro.

We’ve also used multimodal AI to build in visual understanding and intelligence. This gives our system a deep understanding of video concepts, emotions, actions, spoken word, light levels, shot types.

We’re doing a ton of additional processing in our pipeline, such as saliency analysis, audio analysis, and determining objects of significance—all to help guide the best edit. These are things that we as human editors internalize so deeply we may not think twice about it, but reverse-engineering the process to build it into the AI agent has been an interesting challenge.

Some of our analysis findings: Optimal Safe Rectangles: https://assets.frameapp.ai/mosaicresearchimage1.png Video Analysis: https://assets.frameapp.ai/mosaicresearchimage2.png Saliency Analysis: https://assets.frameapp.ai/mosaicresearchimage3.png Mean Movement Analysis: https://assets.frameapp.ai/mosaicresearchimage4.png

Use cases for editing include: - Removing bad takes or creating script-based cuts from videos / talking-heads - Repurposing longer-form videos into clips, shorts, and reels (e.g. podcasts, webinars, interviews) - Creating sizzle reels or montages from one or many input videos - Creating assembly edits and rough cuts from one or many input videos - Optimizing content for various social media platforms (reframing, captions, etc.) - Dubbing content with voice cloning and lip syncing.

We also support use cases for generating content such as motion graphic animations, cinematic captions, AI UGC content, adding contextual AI-generated B-Rolls to existing content, or modifying existing video footage (changing lighting, applying VFX).

Currently, our canvas can be used to build repeatable agentic workflows, but we’re working on a fully autonomous agent which will be able to do things like: style transfer using existing video content, define its own editing sequence / workflow without needing a canvas, do research and pull assets from web references, and so on.

You can try it today at https://edit.mosaic.so. You can sign up for free and get started playing with the interface by uploading videos, making workflows on the canvas, and editing them in the timeline editor. We do paywall node runs to help cover model costs. Our API docs are at https://docs.mosaic.so. We’d love to hear your feedback!

primitivesuave 5 hours ago

Last year, I made a YouTube documentary series showcasing the prolific corruption in a small city government. I downloaded all the city government meetings, used Whisper to transcribe them, and then set up a basic RAG so I could query across a decade of committee meetings (around 1 TB of video). Once I got the timestamps that I'm interested in, I then have to embark on a tedious manual process of locating the file, cutting out a few seconds/minutes from a multi-hour video, and then order all the clips into a cohesive narrative.

These seem like problems that LLMs are especially well-suited for. I might have spent a fraction of the time if there was some system that could "index" my content library, and intelligently pull relevant clips into a cohesive storyline.

I also spent an ungodly amount of time on animations - it felt like "1 hour of work for 1 minute of animation". I would gladly pay for a tool which reduces the time investment required to be a citizen documentarian.

  • adishj 4 hours ago

    hey, thanks for sharing about your documentary series. would love to check it out if you don't mind linking it!

    we don't yet support that volume of footage (1TB), however if you'd like to try this at a smaller scale, you can already do this today with the Rough Cut tile — simply prompt it for the moments that you're interested in (it can take visual cues, auditory cues, timestamp cues, script cues) and it will create an initial rough cut or assembly edit for you.

    I'd also recommend checking out the new Motion Graphics tile we added for animations. You can also single-point generate motion graphics using the utility on the bottom right of the timeline. Let me know if you have any questions on that.

    • primitivesuave 29 minutes ago

      Absolutely - the channel is called "Dolton Documentaries" on YouTube. I'll definitely check out the features you mentioned, and am super excited to see where this goes!

dwrodri 41 minutes ago

Have y'all talked with Max and the Ozone team? Suppose you would have lots to learn from them as you take on this space. Best of luck, video is hard!

  • adishj 23 minutes ago

    Haven't chatted with them but their platform looks interesting!

    Video is hard, but it's also a fun modality which presents some interesting challenges. And is where content is converging towards.

cjbarber 9 hours ago

I think this is a great endeavor. I was thinking about a channel that I like watching on YouTube. They travel to exotic places by boat and film themselves, nature documentary style. To make good videos requires going to these places, a ton of filming, AND a ton of editing. They put out a video every 2 weeks or so on their trips. I imagine the editing is the hard part.

This is a long winded way of saying that I think creators need what you're making! People who have hours of awesome footage but have to spend dozens of hours cutting it down need this. Then also people who have awesome footage but aren't good at editing or hiring an editor, same thing. I'd love to see someone solve this so that 90th percentile editing is available to all, and then it can be more about who has the interesting content, rather than who has the interesting content and editing skills.

  • adishj 9 hours ago

    thanks! Mosaic can already do the rough cuts for you — so you can upload all your footage from your travel, and prompt it to "make a 2 minute highlight reel of your trip to Japan", for instance.

    soon, we also plan to incorporate style transfer, so you could even give it a video from the channel you enjoy watching + your raw footage, and have the agent edit your footage in the same style of the reference video.

    • mrbluecoat 8 hours ago

      > you can upload all your footage from your travel, and prompt it to "make a 2 minute highlight reel of your trip to Japan"

      In relation to the demo requests below, I think this would be a good example of how an average person might use your platform.

shambu2k 7 hours ago

Damn, you beat me to it. I was building something similar but got too caught up optimizing the context extraction. I actually ended up building a full spec for it—basically a PoC of "grep for videos."

My end goal was to let an agent make semantic changes (e.g., "remove the parts where the guy in the blue dress is seen") by simply grepping the context spec for the relevant timestamps and using ffmpeg to cut them out.

How are you extracting context from videos?

  • adishj 7 hours ago

    how would this be different from vector embeddings / semantic search?

    • shambu2k 6 hours ago

      Vector embeddings are fuzzy on finding boundaries. With my spec approach, my goal is to get precise start/end times for ffmpeg to do edits. The downside is, that there is a lot of pre-processing of raw footage in my approach. Vectors win on zero-shot flexibility here.

      • adishj 5 hours ago

        if you have an example you could share i'd be very curious on what you mean.

anthonySs 7 hours ago

As a creator who films long form content, editing (specifically clipping for short form) is such a nightmare - this solves such a huge problem and the ui is insanely clean.

Will be using this a ton in the future

  • adishj 3 hours ago

    great to hear — I'd recommend using the clips tile to create clips, but you can also use the rough cut tile to help edit down the raw footage for the long-form

kul 5 hours ago

Can it work for this use-case? I have lots of 15 seconds to 1 min duration videos) of my kids and want to upload them all (let's say 10 videos) and have the agent make a single video with all the best bits of them?

  • adishj 4 hours ago

    yes! you can upload as many videos as you want (file limits currently are at 20GB and 90 minutes, per file). then I'd recommend using either the Rough Cut tile or the Montage tile to stitch them all together. In those tiles, you can prompt particular visual cues in terms of how you want the videos to be combined. Let me know if any questions.

moinism 7 hours ago

Hey, this is super cool. congrats on the product and the launch!

I'm building something exactly similar and couldn't believe my eyes when I saw the HN post. What i'm building (chatoctopus.com) is more like a chat-first agent for video editing, only at a prototype stage. But what you guys have achieved is insane. Wishing you lots of success.

to healthy competition!

  • adishj 5 hours ago

    thank you! chatoctopus looks pretty cool, I'm trying it out right now!

    how did you find the chat-first interface to work out for video? what we found is that the response times can be so long that the chat UX breaks down a bit. how are you thinking about this?

  • adishj 5 hours ago

    looks like I got a network error

ack210 7 hours ago

I just signed up for a Creator plan, but it looks like the automated "Thank you for being a Mosaic Creator" email going out is not configured correctly. Instead of having my company name, it referenced a different business name and description (that seems to exist/be accurate, so not a placeholder).

  • adishj 7 hours ago

    Hey! Thanks for calling this out — looking into what happened here & fixing right now.

  • adishj 7 hours ago

    This has been fixed now.

danishSuri1994 7 hours ago

Really interesting direction. The node-based canvas feels like a more scalable abstraction for video automation than the usual chat-only interface. I’m curious how you’re handling long-form content where temporal context matters (e.g., emotional shifts, pacing, narrative cues).

Multimodal models are good at frame-level recognition, but editing requires understanding relationships between scenes, have you found any methods that work reliably there?

  • adishj 5 hours ago

    hey, thanks for the comment!

    we've actually found that multimodal models are surprisingly good at maintaining temporal context as well

    that being said, there's also a bunch of additional processing using more traditional CV / audio analysis we do to extract this information out as well (both frame-level and temporal) in your video understanding

    for example, with the mean-motion analysis — you can see how subjects move over a period of time, which can help determine where important things are happening in the video, which ultimately can lead to better placements of edits.

sails 7 hours ago

I’ve had a lot of fun with Remotion and Claude Code for CLI video editing. I’ve been impressed with how much traditional video editing I can manage.

I will be checking this out!

  • adishj 5 hours ago

    that's super interesting — what kind of things have you done with remotion and Claude Code?

    they're very powerful, when you put them together, it almost feels like Cursor for Video Editing

jaccola 9 hours ago

Very cool. It definitely feels to me that the power of pro tools should be available to more people with AI.

Would have been nice if there was a killer demo on your landing page of a video made with Mosaic.

  • adishj 9 hours ago

    that's our perspective as well.

    a lot of tooling is being built around generative AI in particular, but there's still a big gap for people that want to share their own stories / experiences / footage but aren't well-versed with pro tools.

    valid feedback on the landing page — something we'll add in.

zkmon 8 hours ago

I just clicked the link and encountered a non-scrollable, dark, fixed content pane with loads of flickering images and scrolling text with random font sizes without much meaning. I felt imprisoned, subjected to unexpected suffering, can't scroll away, got scared and raced for the window close button, and then breathed easy.

  • adishj 8 hours ago

    seems like the landing page is detracting from the main product, this is good feedback so thanks! For now, avoid the scaries and head directly to https://edit.mosaic.so to try the actual canvas interface

    • conductr 8 hours ago

      Since video is your thing, I feel like you need to just make a very edited demo reel and put all your energy into trying to get people to watch that video. Meaning, remove almost all text and bloat from the site and just show us all the cool stuff the product does for/to video editing. Distill it to 60-120 seconds and put that on your landing, hell put it on auto play if you want to, so long as it's clear that is the one thing I'm supposed to be paying attention to

      • adishj 8 hours ago

        yeah I think a demo reel of a BEFORE vs AFTER immediately somewhere in the hero even or right below it would be helpful

    • dang 7 hours ago

      I've put the /edit and /docs links in the first sentence above to soften the blow as well :)

  • pelagicAustral 8 hours ago

    They really managed to handcraft a unique user experience, that's for sure.

    • adishj 8 hours ago

      we did but the landing page seems to be detracting from it — head directly to https://edit.mosaic.so to try the actual canvas interface

homeonthemtn 5 hours ago

These comments real sus.

  • adishj 5 hours ago

    i agree, things are a bit too kind. give me some more feedback.

filkny 6 hours ago

This is one of those ideas that seems obvious after you hear about it, yet somehow didn't exist yet. So many potential applications. Met the founder back in SF and he's one of the coolest, down to earth dudes there is. Best of luck to the team!

  • adishj 5 hours ago

    thank you so much for the kind word!

news4abhi 4 hours ago

Been following this team from the early days. Amazing founder story, even better product. Just what people need today

  • adishj 22 minutes ago

    thanks for the kind word and for being an early supporter!

dakshbhatia 5 hours ago

You can see the care in every little decision, workflow, and feature — I’ve never had this much fun editing videos.

I didn’t expect great video editing to become democratized so quickly. Kudos to the team!!

- a happy customer

  • adishj 22 minutes ago

    thanks for the kind word and for being an early supporter!

HanClinto 6 hours ago

I absolutely love your approach of "expert tools". If I understand your approach, you aren't just feeding a video into a multimodal LLM and asking it "what is the bounding box of the optimal caption region?" -- you have built tools with discrete algorithms (using traditional CV techniques) that use things like object detection boxes + traditional motion analysis techniques to give "expert opinions" to the LLM in the form of tool calls -- such as finding the regions of minimal saliency + minimal movement to be the best places for caption placement.

If the LLM needs to place captions, it calls one of these expert discrete-algorithm tools to determine the best place to put the captions -- you aren't just asking the LLM to do it on its own.

If I'm correct about that, then I absolutely applaud you -- it feels like THIS is a fantastic model for how agentic tools should be built, and this is absolutely the opposite of AI slop.

Kudos!

  • adishj 5 hours ago

    thanks for the comment, thats exactly right

    we're using a mix of out-of-the-box multimodal AI capability + traditional audio / video analysis techniques as part of our video understanding pipeline, all of which become context for the agent to use during its editing process

camcaine 5 hours ago

Agree this looks very promising.

  • adishj 5 hours ago

    thank you! if you get a chance to try it, let me know if you have any feedback

rishabhaiover 6 hours ago

When I see a hn post with no critical comments I assume all comments are either seeded or biased (commenting on my own bias)

  • adishj 6 hours ago

    scroll down and you'll see all the critical comments about the landing page lol

  • supportengineer 6 hours ago

    Submarining - well-known issue on HN.

    • soperj 5 hours ago

      it's hilarious how many have less than 5 karma.

      • skeeter2020 2 hours ago

        Well, half the comments are a variation of "this is so cool... I'm building something similar" so you'd expect them to be incredibly supportive, and with the churn in the AI field a 6 month old account with 100+ karma is relatively ancient!

nrhrjrjrjtntbt 4 hours ago

Loom for Loom?

  • adishj 3 hours ago

    loom is focused on screen recordings / demos

bluelightning2k 8 hours ago

Good luck. I've dabbled with this myself and ultimately decided that DaVinci Resolve would end up doing this natively. But then again they haven't yet so who knows!

Good luck with it, sincerely.

  • adishj 8 hours ago

    thanks! curious what you started dabbling with and if you have any thoughts to share :)

Tetraslam 6 hours ago

this is going to save me so much time, hell yeah guys!

  • adishj 5 hours ago

    thank you! let us know if you have any feedback!

callamdelaney 9 hours ago

Hey, good luck with Mosaic.

Some feedback initially on the landing page, looks great but I thought that there is, for me, too much motion going on on the homepage and the use cases page. May be an unpopular opinion!

  • cjbarber 9 hours ago

    Agreed, homepage was confusing for me also. I tried to scroll around and see a demo. For a product like this that is so visual, I expected to be able to find a 30s demo clip somewhere but couldn't see one on the homepage or product page (and the scrolling on the product page was annoying for me).

    • adishj 9 hours ago

      the sad part is spent so long on the product page scrolling animation haha

      very valid point though — I think a demo clip of a BEFORE vs AFTER immediately somewhere in the hero even or right below it would be helpful

      thanks for the feedback

  • adishj 9 hours ago

    valid points, thanks for the feedback. i had gone for a certain aesthetic but you're right in that it may be a bit too overwhelming.

penne_pastaa 9 hours ago

this is so cool, can we see some demos of edits you'd make with it?

  • adishj 9 hours ago

    thanks! check out the demo video here of the latest version of the interface: https://screen.studio/share/SP7DItVD

    i playback parts of the cinematic edit I made to the conversation between Dwarkesh Patel and Satya Nadella (e.g. added cinematic captions, motion graphics)

    i can post the full edit as well if you're interested

sashagoncharov 6 hours ago

best of luck guys!!

  • adishj 5 hours ago

    thank you! let us know if you have any feedback!

shivvtrivedi 8 hours ago

Mosaic team dev here Hanging in the comments all day and pushing updates as fast as we can -really appreciate the feedback!

BolexNOLA 9 hours ago

> We got frustrated trying to accomplish simple tasks in video editors like DaVinci Resolve and Adobe Premiere Pro. Features are hidden behind menus, buttons, and icons, and we often found ourselves Googling or asking ChatGPT how to do certain edits.

Hidden behind a UI? Most of the major tools like blade, trim, etc. are right there on the toolbars.

> We recorded hours of cars driving by, but got stuck on how to scrub through all this raw footage to edit it down to just the Cybertrucks.

Scrubbing is the easiest part. Mouse over the clip, it starts scrubbing!

I’m being a bit tongue in cheek and I totally agree there is a learning curve to NLE’s but those complaints were also a bit striking to me.

  • adishj 9 hours ago

    hey! You're right that most of the basic tools like splitting / trimming are available right in the timeline. but things like adding a keyframe to animate a counter, for instance, I had no idea where to go or how to start.

    Scrubbing is easy enough when you have short footage, but imagine scrubbing through the footage we had of 5 hours of cars driving by, or maybe a bunch of assets. This quickly becomes very tedious.

    • BolexNOLA 2 hours ago

      Hey I just wanted to come back and be clear that yeah I was being tongue in cheek, but looking back at it comes off as a little snarky/“this isn’t even a thing!” and I’m sorry for that - what you built is really cool and I’m excited to try it out.

      Good luck out there!

    • BolexNOLA 8 hours ago

      I don’t need to imagine, I do it haha but again I was being tongue in cheek. I personally would love an effective tool that can mark and favorite clips for me based on written prompts. Would save me an awful amount of time!

      • adishj 8 hours ago

        curious — what kind of content do you edit?

        • BolexNOLA 6 hours ago

          Now? Mostly long form educational content. But historically? Everything more or less! Freelancer for about 15 years until my current in-house producer role.

lava123 8 hours ago

YOOOO, this is super awesome. Love this for you all. Lets make life easier for more creators.

tonyoconnell 9 hours ago

This is so cool. Good luck with your venture.

  • adishj 9 hours ago

    Thank you :)

echelon 7 hours ago

Can you make this a desktop app?

I'm really tired of editing videos in the cloud. I'm also also tired of all these AI image and video tools that make you work over a browser. Your workflow seems so second class buried amongst all the other browser tabs.

I understand that this is how to deploy quickly to customers, but it feels so gross working on "heavy" media in a browser.

  • adishj 5 hours ago

    we've done a ton of work to optimize the uploads / downloads / transcoding of videos to handle beefy files using proxies, and also allow you to XML export back to traditional editing tools that can link back to your "heavy" media, but I hear you and I think anything running locally on device is just going to feel faster

    it does present its own set of challenges, but something we've thought about

  • supportengineer 6 hours ago

    There's plenty of great native desktop apps for video editing. And there have been for almost 30 years. I also don't understand why anyone would want to use a browser for this.

    • adishj 5 hours ago

      there is some friction even in downloading a new app

      if our goal is to bring more people into the fold, minimizing the steps for them to start editing is something we want to optimize for

      that being said, being on the browser presents its own set of challenges, many of which are rightfully mentioned in this thread

      • kleiba 3 hours ago

        Sorry, not buying the argument. I think it's more like: that's the current zeitgeist.

teddyh 9 hours ago

Not related to NCSA Mosaic (RIP).

  • adishj 9 hours ago

    if you take a snippet of Ben Horowitz's interview out of context, he has a lot of good things to say about our product :)

supportengineer 6 hours ago

Can we stop with the overloaded names? "Mosaic" is a well-known web browser.

  • skeeter2020 2 hours ago

    >> "Mosaic" is a well-known web browser.

    Not really relevant anymore, though? As long is it's not called "Project: Prometheus" I think we count it as a win.

  • adishj 5 hours ago

    naming is hard

    our original name was Frame, only to realize that frame.io existed already.

    we brainstormed names for a while and had several notes full of possible names

    mosaic is one which stood out to us because it not only represents artwork, but also the tiles (nodes) in the canvas come together to form your mosaic — we thought that was a fitting name